\u65b0\u4e95\u5353 \uff08\u3042\u3089\u3044\u305f\u304b\u3057\uff09\/ \u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3001\u6620\u753b\u4f5c\u5bb6<\/p>\r\n
1978\u5e74\u795e\u5948\u5ddd\u770c\u5ddd\u5d0e\u5e02\u751f\u307e\u308c\u3002\u73fe\u5728\u3001\u5ddd\u5d0e\u5e02\u3001\u5ca9\u624b\u770c\u9060\u91ce\u5e02\u3001\u30d9\u30eb\u30ea\u30f3\u3092\u62e0\u70b9\u306b\u6d3b\u52d5\u3059\u308b\u3002\r\n\u5199\u771f\u306e\u539f\u70b9\u3092\u63a2\u308b\u3046\u3061\u6700\u521d\u671f\u306e\u5199\u771f\u8853\u30fb\u30c0\u30b2\u30ec\u30aa\u30bf\u30a4\u30d7\uff08\u9280\u677f\u5199\u771f\uff09\u3092\u77e5\u308a\u3001\u8a66\u884c\u932f\u8aa4\u306e\u306e\u3061\u540c\u6280\u6cd5\u3092\u7fd2\u5f97\u3002\u5bfe\u8c61\u306b\u51fa\u4f1a\u3063\u305f\u3068\u304d\u306e\u611f\u899a\u3092\u3001\u6642\u9593\u3068\u7a7a\u9593\u3092\u8d85\u3048\u3066\u3001\u898b\u308b\u3082\u306e\u306b\u751f\u3005\u3057\u304f\u4f1d\u3048\u308b\u3053\u3068\u306e\u3067\u304d\u308b\uff1c\u5c0f\u3055\u306a\u30e2\u30cb\u30e5\u30e1\u30f3\u30c8\uff1e\u3068\u3057\u3066\u3001\u81ea\u8eab\u306e\u30e1\u30c7\u30a3\u30a2\u3068\u3057\u3066\u304d\u305f\u3002\u6838\u306e\u6b74\u53f2\u306b\u8208\u5473\u3092\u6301\u3061\u59cb\u3081\u305f2010\u5e74\u3054\u308d\u304b\u3089\u3001\u7b2c\u4e94\u798f\u7adc\u4e38\u306e\u8239\u4f53\u3084\u5143\u8239\u54e1\u306b\u51fa\u4f1a\u3044\u3001\u305d\u306e\u5f8c\u3001\u798f\u5cf6\u3001\u9577\u5d0e\u3001\u5e83\u5cf6\u3001\u3068\u64ae\u308b\u3079\u304d\u5bfe\u8c61\u306b\u81ea\u7136\u306b\u5de1\u308a\u3042\u3063\u3066\u304d\u305f\u3002\u4ee3\u8868\u7684\u306a\u30b7\u30ea\u30fc\u30ba\u306b\u3001\u798f\u5cf6\u7b2c\u4e00\u539f\u767a\u4e8b\u6545\u5f8c\u306e\u76f8\u53cc\u5730\u57df\u3092\u30c9\u30ad\u30e5\u30e1\u30f3\u30c8\u3057\u305f\u300cHere and There \u2013 \u660e\u65e5\u306e\u5cf6\u300d\u3001\u30a2\u30c8\u30df\u30c3\u30af\u30fb\u30a8\u30a4\u30b8\u306e\u8a18\u61b6\u3068\u8a18\u5ff5\u7269\u3092\u5de1\u308b\u300c\u767e\u306e\u592a\u967d\u306b\u707c\u304b\u308c\u3066\uff0fEXPOSED IN A HUNDRED SUNS\u300d\u3001\u82e5\u8005\u306e\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3068\u30dd\u30fc\u30c8\u30ec\u30a4\u30c8\u30fb\u30b7\u30ea\u30fc\u30ba\u300c\u660e\u65e5\u306e\u6b74\u53f2\u300d\u306e\u307b\u304b\u3001\u306a\u308b\u3079\u304f\u6bce\u65e5\u64ae\u5f71\u3092\u3064\u3065\u3051\u308b\u300c\u6bce\u65e5\u306e\u30c0\u30b2\u30ec\u30aa\u30bf\u30a4\u30d7\u30fb\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\uff0fDaily Daguerreotype Project\u300d\u306a\u3069\u304c\u3042\u308b\u3002\r\n\u8fd1\u5e74\u306f\u6620\u753b\u5236\u4f5c\u3001\u57f7\u7b46\u3001\u8b1b\u6f14\u306e\u307b\u304b\u591a\u5c90\u306b\u308f\u305f\u308b\u6d3b\u52d5\u3092\u5c55\u958b\u30022014\u5e74\u306b\u82f1\u56fd\u30bd\u30fc\u30b9\u30b3\u30fc\u30c9\u30fb\u30d7\u30e9\u30a4\u30ba\uff08\u73fe The Solas Prize\uff09\u30012016\u5e74\u306b\u306f\u7b2c41\u56de\u6728\u6751\u4f0a\u5175\u885b\u5199\u771f\u8cde\u3001\u65e5\u672c\u5199\u771f\u5354\u4f1a\u8cde\u65b0\u4eba\u8cde\u3001\u795e\u5948\u5ddd\u6587\u5316\u8cde\u672a\u6765\u8cde\u3092\u7d9a\u3051\u3066\u53d7\u8cde\u30022018\u5e74\u3001\u6620\u50cf\u8a69\u300e\u30aa\u30b7\u30e9\u93e1\u300f\u3067\u7b2c72\u56de\u30b5\u30ec\u30eb\u30ce\u56fd\u969b\u6620\u753b\u796d\u77ed\u7de8\u6620\u753b\u90e8\u9580\u6700\u9ad8\u8cde\u3002\u30b9\u30df\u30bd\u30cb\u30a2\u30f3\u535a\u7269\u9928\u3001\u30dc\u30b9\u30c8\u30f3\u7f8e\u8853\u9928\u3001\u30b5\u30f3\u30d5\u30e9\u30f3\u30b7\u30b9\u30b3\u8fd1\u4ee3\u7f8e\u8853\u9928\u3001\u6771\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\u3001\u6771\u4eac\u90fd\u5199\u771f\u7f8e\u8853\u9928\u3001\u30ae\u30e1\u7f8e\u8853\u9928\u307b\u304b\u591a\u6570\u306e\u7f8e\u8853\u9928\u306b\u4f5c\u54c1\u304c\u53ce\u8535\u3055\u308c\u3066\u3044\u308b\u3002\u5358\u8457\u306b\u300eMONUMENTS\u300f\uff08PGI\u30012015\uff09\u306a\u3069\u30022019\u5e74\u3088\u308a\u9060\u91ce\u6587\u5316\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u7814\u7a76\u54e1\u3002<\/p>\r\n
Takashi ARAI \/ Artist, Filmmaker, Researcher at Tono Culture Research Center<\/p>\r\n
Takashi Arai (1978-) is a Kawasaki \/ Tono \/ Berlin based visual artist and filmmaker.\r\nArai first encountered photography while he was a university student of biology. To trace photography to its origins, he encountered daguerreotype, and after much trial and error, mastered the complex technique. Arai does not see daguerreotype as a nostalgic reproduction of a classical method. Instead, he has made it his medium, finding it a reliable device for storing memory that is far better for recording and transmitting interactions with his subjects than modern photography.\r\nSince the beginning in 2010, when he first became interested in nuclear issues, Arai has used the daguerreotype technique to create individual records\u2014micro-monuments\u2014 touch upon the fragmented reality of events in the past. His encounters with surviving crew members, and the salvaged hull, of the fallout-contaminated Daigo Fukury\u016bmaru fishing boat, led him to photograph the deeply interconnected subjects of Fukushima, Hiroshima, and Nagasaki.\r\nHis major projects include Here and There \u2013 Tomorrow\u2019s History: documentary-style daguerreotypes created in Fukushima after the triple disasters in 2011, Exposed in a Hundred Suns: the series of historical monuments in the Atomic Age, Tomorrow\u2019s History: teenager\u2019s portraits and interviews collected in historically stigmatized cities, and Daily Daguerreotype Project among others.\r\nArai\u2019s work has appeared in numerous exhibitions at the Museum of Fine Arts, Boston, Mori Art Museum, Staatliche Kunsthalle Karlsruhe, Modern Museum of Art, Tokyo, among other international venues.\r\nIn 2016, Arai received the 41st Kimura Ihei Award for his first monograph, \u201cMONUMENTS\u201d (PGI, 2015). His recent short film, \u201cOshira Kagami (The Mirror of the Oshira Deity)\u201d won the category prize at the 72nd Salerno International Film Festival in 2018.\r\nArai\u2019s works are held in the Smithsonian Institution collections, the Museum of Fine Arts, Boston, the National Museum of Modern Art, Tokyo, and Mus\u00e9e Guimet, among others.\r\nSince 2017, Arai has been actively working as a researcher for interdisciplinary studies, such as \u201cInterdisciplinary Studies of Radiation Effects on the Everyday Life of Victims\u201d (National Museum of Ethnology) and \u201cAnima Philosophica: Nature, Disaster, and Animism in Japan\u201d (Institute for Research in Humanities, Kyoto University).<\/p>","link":"https:\/\/cdags.jp\/author\/takashi\/","slug":"takashi","avatar_urls":{"24":"https:\/\/secure.gravatar.com\/avatar\/cb49b94ec8e31b4f2c9ff7d8b2c1856e?s=24&d=mm&r=g","48":"https:\/\/secure.gravatar.com\/avatar\/cb49b94ec8e31b4f2c9ff7d8b2c1856e?s=48&d=mm&r=g","96":"https:\/\/secure.gravatar.com\/avatar\/cb49b94ec8e31b4f2c9ff7d8b2c1856e?s=96&d=mm&r=g"},"meta":[],"_links":{"self":[{"href":"https:\/\/cdags.jp\/wp-json\/wp\/v2\/users\/2"}],"collection":[{"href":"https:\/\/cdags.jp\/wp-json\/wp\/v2\/users"}]}}